Nigerian Afrobeats singer, Oxlade, has sparked conversation after expressing his frustrations with certain figures in the Nigerian music industry. In a recent interview, he clarified his earlier social media posts where he alluded to “OGs” (established figures) boycotting and blackmailing him.

Oxlade’s frustration reportedly stems from a perceived sense of control exerted by some industry veterans. “I hate the mindset of people trying to play god…When they feel like they can determine your trajectory,” the singer declared. He further revealed that these issues sometimes extend beyond music, highlighting instances where his behavior outside of professional settings has caused friction. “Sometimes, it’s because they feel I see them outside and I don’t greet them well,” he explained in Pidgin English, choosing to avoid naming names or escalating the situation.

This negativity appears to be in stark contrast with the reception Oxlade receives abroad. Notably, his debut album, “Oxlade from Africa,” features a collaboration with Ghanaian hip-hop legend, Sarkodie. This choice, according to Oxlade, was influenced by the greater appreciation he feels from Ghanaian audiences compared to his home country. He joins a growing chorus of Nigerian artists, like Rema, who have voiced similar sentiments about receiving a warmer reception overseas.

Oxlade’s current focus is promoting his debut album, a project he claims was inspired by a racist encounter in France, the same country where his hit single “Kulosa” achieved diamond certification. This bittersweet success story highlights the complex reality for some Nigerian artists who may face challenges at home while finding international acclaim.